On Creativity:Bruce Mau’s “Incomplete Manifesto for Growth”

I first read this piece from designer Bruce Mau about a dozen years ago. It’s still good to read these words from time to time,and take them as a personal challenge…

Incomplete Manifesto for Growth (brucemaudesign.com)

“This design manifesto was first written by Bruce Mau in 1998,articulating his beliefs,strategies,and motivations. The manifesto outlines BMD’s design process…”

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On Process:How Scrivener is changing how I write…

I’m still getting used to working with Scrivener,but its design is encouraging me to organize my manuscript in a better way.

When I wrote Owe Nothing,I saw individual scenes first;specific exchanges between characters,or particular story “beats”that were important to me. However,I didn’t start with much of an overall framework in mind –I went back later and analyzed my half-finished manuscript,documented the various plot-points,and tried to resolve or relate sub-plots. Then,I had to decide where to put my chapter breaks,make sure I had good hooks at the end of chapters,or create good break-points if there weren’t any.

Bottom line:Working that way,I wasn’t really in control of my story,because I didn’t create much of a plot skeleton for it when I began.

Scrivener’s design encourages the creation of an outline by making it easy to create little index cards on which you can bang out basic plot points and major events,and then progressively fill in details as you work from general to specific to develop each scene. Working with modular chunks of story (scenes) is the way it should be done,and Scrivener makes rearranging scenes as easy as dragging a piece from one place to another in the story outline.

This author has some good points on writing your content as scenes first,and then compiling them into Chapter folders after:
From “Clay’s Site”–“Using the Scene writing method with Scrivener”

In my last post about my own writing process,I covered a little about how Scrivener (and other tools) have helped me learn and improve my work-flow.

 

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On Process:Getting to Love Scrivener

Have I said how much I am loving Scrivener?

I am loving Scrivener.

When I started writing my first novel,Owe Nothing,my initial tools were a notebook (the dead-tree-based,spiral-bound kind) and a variety of ballpoint pens. I wrote a dozen pages at a time,“long hand”as they say.I would write at home,at a cafe,and anywhere else I was when some inspiration or scene idea would cross my mind.

As material began to accumulate,I started adding little codes,yellow highlighter,page numbers,arrows and sticky notes. What a disorganized mess it became. Then,the fun task of typing in and organizing all those hand-written notes. Bloody hell…

Handheld Devices and Laptops

Later,I began using my PDA (a Palm Tungsten,then a Treo) and a little keyboard to write scenes. This worked pretty well but must have looked ridiculous,judging by all the looks I got and the resulting conversations with curious strangers.

Later still,I finally bought myself a little netbook and started moving text from the netbook to my desktop PC using a USB key or emailing it to myself and composing snippets of text into a manuscript later. The netbook was orders of magnitude better for sheer typing speed,but gave no relief in terms of information organization and consolidation. Blech.

Needless to say,while I think it’s fantastic to be able to write anywhere I can,whenever the fancy strikes me,it has sucked hard trying to keep all my raw material organized and centralized across different input sources. Man cannot live by Word(tm) alone.

Writing Tools That Have Helped Me Stay Organized

Next,I played around with FourSquare for almost a year,and it helped to centralize my manuscript and research materials better than before. I began to see that having digital research material adjacent to my working draft manuscript was extremely helpful and motivating. Unfortunately,I found importing and exporting my project to a flash drive to get it from one PC to another turned out to be a total pain in the neck. Because of that,I just didn’t sync my Foursquare project data all that often.

Recently,I discovered Scrivener. This tool is like a complete working environment inside one app:For research,I can import text,photos,and web links. For high-level organization and outlining,I can modularize my words as “index cards”or folders of text,and it’s easy to move chunks of my story around in order to get a flow that I like. Most recently,I’ve used the labeling feature to colour-code scenes according to the major plot to which they belong. This gives me a sense of the balance of the overall piece,and will make it easier to decide how to move scenes around if I want to contrast things against each other or change the flow of the story.

As for portability,moving my Scrivener project between my laptop (for those productive Starbucks sessions) and my desktop PC,it’s easy to transplant my project by dragging one folder into a common location. Dropbox is the best answer for that. Drag and drop. Boom. Done.

In terms of composition,Scrivener is a full-meal-deal editor,providing enough tools to format my text,but not so many that I’ll get lost amongst features that I rarely ever need (unlike Word).

For distribution formats or special projects, where a particular template is required,I can burp out my manuscript in a paperback novel format,an eBook,or reformat it as a screenplay or something else. I haven’t done this yet,but it sounds pretty cool.

But it can’t make me create…

…so,for that I use Write or Die,because no one tool can do everything.

I still keep a pen and paper handy too,just in case…

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On Research and Creativity:Archetypes and Inspiration…

I’ve been revisiting and researching famous stories and hero myths,starting from the most recent,pop cultural stories and their influences,and then digging down deeper into personal territory,furrowing paths that lead me to my mother and father,and to my images and beliefs of myself.

I’m a fan of pop culture,comic books, . . . →Read More:On Research and Creativity:Archetypes and Inspiration…

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On Research:Joseph Campbell and The Hero’s Journey

I’ve only ever read snippets of Joseph Campbell’s books on heroes and heroic tales and myths,so I never expected to find influences in his works. Yet,the influence is there. Many other writers and film-makers *have* studied Campbell (not the least of them being George Lucas). So,in being a fan of modern epics . . . →Read More:On Research:Joseph Campbell and The Hero’s Journey

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On Connecting to those worlds out there…

In a recreation centre basement,a middle-aged man feels that old anxiety –the anxiety of having to speak in front of a group of strangers. The address he must make now is especially poignant. He clears his throat and swallows the fat dry lump that had formed there.

He pictures a room filled with . . . →Read More:On Connecting to those worlds out there…

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On Creativity:Multiple Media and a Billion Artists

Once in a while,an artist will inspire me,and make me appreciate connections to other artists,from the current time,or from a relatively distant point in the past. . . . →Read More:On Creativity:Multiple Media and a Billion Artists

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On Creativity:Inspired by Orson Welles

Once in a while,when one feels they are in a bit of a creative slump (I suppose “downturn”is the fashionable term for it nowadays),it helps to be reminded of some of the great artists whose work has inspired me in the past. I have recently become inspired (again) by Orson Welles.

I’ve . . . →Read More:On Creativity:Inspired by Orson Welles

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On Writing:Chasing Echoes and Ghosts

For me,the energy and desire to write always seems to get bogged down in the necessity to research. It’s just part of the process. In my fiction,a certain amount of factual research is needed in order to pin characters,places and things down in a realistic,believable way.

When it works,and I . . . →Read More:On Writing:Chasing Echoes and Ghosts

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Enigmatic Memes:Bathroom Grafitti I Have Known

Bathroom wall graffiti gives a glimpse of the way people think:it is drect,anonymous and comes with little sense of responsibility,similar to how most people’s backyards tell us how the homeowner truly lives.

Bathroom wall scribbles hardly qualify as art or creative writing,but I can think of some that is more creative . . . →Read More:Enigmatic Memes:Bathroom Grafitti I Have Known

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Praise for Owe Nothing

"In skillful fashion,author E. John Love has crafted an enjoyable tale of a lovable loser in search of a bit of adventure.
An engaging,endearing tale with a deft humorous touch,Owe Nothing is a rewarding literary treat.”

- Renee Washburn,
Apex Reviews

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