Today, I’ve been listening to the podcast Serial, that now-famous online audio series that’s garnered record numbers of listeners. It has been both praised and reviled in the press.
In recent years, I think that podcasts have taken a back seat to other online media, particularly social media and especially online video. Some reviewers have claimed that Serial has raised the profile of podcasts, attracting loads of new listeners to what was considered an old medium. You know, like from ten years ago, when people still thought iPods were revolutionary.
I’ve enjoyed listening to Serial, but I’ve also found it to be a bit less than formal. It feels unstructured, running along like a continuous conversation that we’re overhearing or listening to from the sidelines. Maybe it’s too conversational in format?
It feels like an editorial piece where the author’s points of view, questions or self-doubts become a major aspect in the story, competing with whatever objectiveness there may be in the story. Despite my concerns, find myself still listening to it.
The thing is, I’ve loved listening to old-time radio programmes, especially comedies, and detective dramas. The dramas especially tend to put you in the head of the main character, where their thoughts and speech as rendered as equally important. It was first-person, in the “Raymond Chandler” sense.
After listening to the first few episodes of Serial, I found it difficult to stay engaged with the story. There were so many players, people who were involved, or who knew people who were involved, or who might have seen something. I found myself feeling a bit bored at times, drifting off mentally. I began playing episodes while I did other things, picking up the important points, and hoping the rest would just sink in. Maybe all my years of surfing the web for quick answers have destroyed my ability to absorb and enjoy long-form narrative. I’m ready to accept that possibility.
It’s not presented in a sensationalized style at all, but from episode to episode, it’s compelling enough to keep me listening, and like the chapters in a good detective novel, ending with a dangling question – a challenge to the audience – which sets up new mysteries and proposes new possible answers.
I think that many people like to play detective, to listen in on lurid details, gossip-style, and to speculate on all the pieces of a vast puzzle. This format is not unlike the lurid “true crime” detective magazines that you can still see on some magazine racks, and all over the web.
Serial also has a few other marketing and publishing characteristics that have greatly accelerated its popularity: it’s freely available at serialpodcast.org, and being online, it’s easily republished via social media.
Anyway, check it out for yourself, and listen to the first of the 12 episodes:
I bought Naked Lunch back in 1997, I think. I never could get into it past the Introduction sections. I really liked William S. Burroughs’ opinions on addiction and the junkie mindset. His opinions sounded so authoritative, with a mixture of almost clinical objectivity (which drugs he’d become addicted to, how much and how often he’d tried to cure himself) and an acid-tongued cyncical editorializing on the Doctors and approaches that had failed him. Burroughs’ voice is cold and smart and sharp, but soaked in a bitter backwash of pain and regret. But, as much as I liked his observations in the intro and the epilogue of Naked Lunch, I’ll be damned if I could get into the guts of the book in any meaningful way. I wasn’t ready for it, I guess.
The closest I ever got to seeing the whole Naked Lunch novel rendered was by watching Cronenberg’s Naked Lunch movie, which was a collage of Burroughs’ stories and experiences, framed in a narrative featuring cockroaches, centipedes and throbbing anthropomorphized typewriters with talking assholes for mouths. I think the first talking asshole typewriter reveal was the biggest moment in that movie for me. It still makes me laugh.
Cronenberg captured or interpreted a lot of Burroughs’ imagery, and did his work as much service as possible, I think, while making somewhat necessary concessions to his own film tropes. I’m still crawling through Naked Lumch the novel, and digesting it slowly, while regurgitating scenes from Naked Lunch the Movie.
So, flash forward another 16 years, and I found myself reading Kerouac’s “On the Road” for the first time (and generally liking it), and getting a sideways introduction to Burroughs via Kerouac’s “Old Bull Lee” persona. Now I’ve restarted reading Naked Lunch, and it seems I’m ready for it now. Burroughs writes in this crazy, satirical voice with these cut-up chunks of narrative that mostly use a terse, clipped style, resembling a secret agent’s espoionage report, or a detective’s telegram. I found myself picturing him in his fedora and long overcoat, banging out reports in his almost anonymous, government worker voice, with hints of vernacular from the streets of New York or Tangier. It began to feel like watching a documentary film about a Raymond Chandler detective who was addicted to morphine, and whose cases were just falling apart in his face.
So, the writings of Burroughs are very interesting to me because of his challenging style. But Burroughs the man seemed a dependent, fucking mess. The portrait drawn of him in the book “Call Me Burroughs” demonstrates his ample wit and dry humour, but also his itinerant life, co-dependence in relationships, his many (many) addictions, and all the complicated pain that he endured as a gay (or bi?) man. I really don’t know what to make of his life from what I’ve read so far, except that he was probably fortunate to have survived it into his eighties. Burroughs took a beating, but a good deal of his misfortune arose (I think) from his own bad judgement and misadventure.
I started to envision something of a lineage growing down from the post-WWII Beats, down through later poets like Bob Dylan, and especially Jim Morrison. Old Beats like Ginsberg and Lucien Carr quoted Rimbaud’s idea of pursuing a “sustained derangement of the senses” as a path to finding the truth, or perhaps, as a way of escaping a rigid, distasteful reality. I could never do that, personally. I have often wanted to escape reality, but not through drugs or alcohol – just through my imagination or mental escapes into fantasy.
In my teens I loved Jim Morrison, and now after reading about the Beats a bit more, and relistening to “American Prayer” by the Doors, I truly think that no child of the Beats pursued a sustained derangement of their senses like Jim Morrison did. “Break on Through to the Other Side” was Morrison, singing about that same break with conventional values and ways of thinking that drove Burroughs, Kerouac and the Beats.
William Burroughs used a cut-up, collage technique in Naked Lunch. That is very intriguing to me. I’ve played with collage with images from magazines, comics and photos, inspired by Gary Lee-Nova, my art school multimedia instructor (himself a life-long fan and scholar of Burroughs). But I’ve never done it with words. Sometime, I want to look at different ways to derange my thoughts after I put them down on paper or record them.
These days, with composition and acquisition being commoditized into microscopic electronics, there might even be an app for that.
To finish Week 3 of the MOOC, “The Future of Storytelling”, my creative task is to publish a detailed profile of an original character. I must also provide a bit of “evidence” – some artifacts – of my character’s online presence.
This is an exercise in Transmedia – creating fiction across multiple media simultaneously – so that a character has resonance and persistence in social media and elsewhere, outside of his/her fictional universe. This, I believe, gives the character some extra depth, and can also assist online marketing efforts as well.
I have chosen to profile “Mike Coffey”, a significant character from my first novel, “Owe Nothing”.
Here’s Mike Coffey’s Character Profile:
Here is Mike Coffey’s blog, where he describes some of the events in his life:
Mike Coffey’s Blog
My hopes for an amazing, uplifting Superman movie have been sucker-punched by “Man of Steel”.
It’s really disappointing to say that too, because I’ve considered myself a Superman fan ever since the 1978 Christopher Reeves movie. I think I was hoping for a kind of mythical, spiritual reboot from this new movie franchise. (Is that . . . → Read More: Dear Warner Bros: You got Superman so wrong.
Father’s Day has come again, and I’ve been thinking of you. I have a little photo of you on my dresser, from when I was a little guy, when you were working on the Hollic’s farm that summer. I think it’s my favourite photo of you because you look suntanned and happy.
Anyway, . . . → Read More: Dear Dad
What does it mean when the major online retailer of books and movies is getting into the content production business? It’s more industry convergence that proves that “content is king”, even when it’s crowdsourced…
I think that Amazon is doing a kind of Zeroes2Heroes approach to getting original content, but on a bigger, Amazon scale: . . . → Read More: Amazon Studios & Bootstrapping Original Content
Other than the occasional blog post, I haven’t written anything of consequence, personally, in close to a year. So goes my on-again-off-again relationship with creative writing.
The stopper (or slower-downer) for me this time has been a preoccupation with money (re: earning more) and enduring a series of extensive repairs and renovations to our condo.
. . . → Read More: Getting closer to writing again…
My headphones are in. Robert Plant wails and Jimmy Page brings layer after layer of metal blues and funk. My heart has been uninspired to do anything creative for weeks. Fuck my own voice, I seem to have been murmuring to myself. Just work and get paid. Get it done, and climb out of that . . . → Read More: Stream of conscious delight
With just a little time, there’s a chance to flex my mind… How and what will I try to say today?
Will it be words, peeping out from pigeonholes? Scraps of memories in my ear…
Will it be pencil scribbles or little points of light? In a way that you can see but not quite . . . → Read More: How and what will I try to say today?
I just had this image of my Mum and Dad, not as they were in most of my memories, but from a time years before me and my sister were born, a time when they were younger, healthier and happier – maybe a time when they were truly in sync and in love as a . . . → Read More: Sandwiches by the Lake