I first read this piece from designer Bruce Mau about a dozen years ago. It’s still good to read these words from time to time, and take them as a personal challenge…
Incomplete Manifesto for Growth (brucemaudesign.com)
“This design manifesto was first written by Bruce Mau in 1998, articulating his beliefs, strategies, and motivations. The . . . → Read More: On Creativity: Bruce Mau’s “Incomplete Manifesto for Growth”
I’m still getting used to working with Scrivener, but its design is encouraging me to organize my manuscript in a better way.
When I wrote Owe Nothing, I saw individual scenes first; specific exchanges between characters, or particular story “beats” that were important to me. However, I didn’t start with much of an overall framework . . . → Read More: On Process: How Scrivener is changing how I write…
Have I said how much I am loving Scrivener?
I am loving Scrivener.
When I started writing my first novel, Owe Nothing, my initial tools were a notebook (the dead-tree-based, spiral-bound kind) and a variety of ballpoint pens. I wrote a dozen pages at a time, “long hand” as they say.I would write at home, . . . → Read More: On Process: Getting to Love Scrivener
I’ve been revisiting and researching famous stories and hero myths, starting from the most recent, pop cultural stories and their influences, and then digging down deeper into personal territory, furrowing paths that lead me to my mother and father, and to my images and beliefs of myself.
I’m a fan of pop culture, comic books, . . . → Read More: On Research and Creativity: Archetypes and Inspiration…
I’ve only ever read snippets of Joseph Campbell’s books on heroes and heroic tales and myths, so I never expected to find influences in his works. Yet, the influence is there. Many other writers and film-makers *have* studied Campbell (not the least of them being George Lucas). So, in being a fan of modern epics . . . → Read More: On Research: Joseph Campbell and The Hero’s Journey
Once in a while, an artist will inspire me, and make me appreciate connections to other artists, from the current time, or from a relatively distant point in the past. . . . → Read More: On Creativity: Multiple Media and a Billion Artists
Once in a while, when one feels they are in a bit of a creative slump (I suppose “downturn” is the fashionable term for it nowadays), it helps to be reminded of some of the great artists whose work has inspired me in the past. I have recently become inspired (again) by Orson Welles.
I’ve . . . → Read More: On Creativity: Inspired by Orson Welles
How the hell did writers ever do research in the days before the Internet? A lot of cultural and technological development took place to get us where we are today.
I’m not exactly a digital native – I remember the days before Twitter, Facebook, LinkedIn and Google. I remember the days before the web, and . . . → Read More: On Research: How did it ever get done before the Internet?
This inspiring article by Valentina Nesci (from www.write-a-holic.com) offered me a “big picture” view on my pursuit of fiction writing… . . . → Read More: On Writing: “Anatomy of a Writer”
To observe and comment on your life and world, you need to have a certain amount of objectivity – detachment – from it. If you’re too-comfortably living inside your world, you really can’t see the outside shape of it. . . . → Read More: On Writing: Having Uncommon Thoughts in Common