What does it mean when the major online retailer of books and movies is getting into the content production business? It’s more industry convergence that proves that “content is king”, even when it’s crowdsourced…
I think that Amazon is doing a kind of Zeroes2Heroes approach to getting original content, but on a bigger, Amazon scale: promises . . . → Read More: Amazon Studios & Bootstrapping Original Content
Other than the occasional blog post, I haven’t written anything of consequence, personally, in close to a year. So goes my on-again-off-again relationship with creative writing.
The stopper (or slower-downer) for me this time has been a preoccupation with money (re: earning more) and enduring a series of extensive repairs and renovations to our condo.
. . . → Read More: Getting closer to writing again…
My headphones are in. Robert Plant wails and Jimmy Page brings layer after layer of metal blues and funk. My heart has been uninspired to do anything creative for weeks. Fuck my own voice, I seem to have been murmuring to myself. Just work and get paid. Get it done, and climb out of that . . . → Read More: Stream of conscious delight
The HBO series Carnivale has been inspiring me.
We recently picked up Carnivalé on DVD, and are enjoying season one. This series was broadcast on HBO in 2004 and only lasted two seasons before being cancelled, but not before attracting attention and kudos for its haunting stories, great cast, and movie-quality production values.
Carnivalé presents . . . → Read More: On Creativity: Carnivalé and the Hero’s Journey
I first read this piece from designer Bruce Mau about a dozen years ago. It’s still good to read these words from time to time, and take them as a personal challenge…
Incomplete Manifesto for Growth (brucemaudesign.com)
“This design manifesto was first written by Bruce Mau in 1998, articulating his beliefs, strategies, and motivations. The . . . → Read More: On Creativity: Bruce Mau’s “Incomplete Manifesto for Growth”
I’m still getting used to working with Scrivener, but its design is encouraging me to organize my manuscript in a better way.
When I wrote Owe Nothing, I saw individual scenes first; specific exchanges between characters, or particular story “beats” that were important to me. However, I didn’t start with much of an overall framework . . . → Read More: On Process: How Scrivener is changing how I write…
Have I said how much I am loving Scrivener?
I am loving Scrivener.
When I started writing my first novel, Owe Nothing, my initial tools were a notebook (the dead-tree-based, spiral-bound kind) and a variety of ballpoint pens. I wrote a dozen pages at a time, “long hand” as they say.I would write at home, . . . → Read More: On Process: Getting to Love Scrivener
I’ve been revisiting and researching famous stories and hero myths, starting from the most recent, pop cultural stories and their influences, and then digging down deeper into personal territory, furrowing paths that lead me to my mother and father, and to my images and beliefs of myself.
I’m a fan of pop culture, comic books, . . . → Read More: On Research and Creativity: Archetypes and Inspiration…
I’ve only ever read snippets of Joseph Campbell’s books on heroes and heroic tales and myths, so I never expected to find influences in his works. Yet, the influence is there. Many other writers and film-makers *have* studied Campbell (not the least of them being George Lucas). So, in being a fan of modern epics . . . → Read More: On Research: Joseph Campbell and The Hero’s Journey
In a recreation centre basement, a middle-aged man feels that old anxiety – the anxiety of having to speak in front of a group of strangers. The address he must make now is especially poignant. He clears his throat and swallows the fat dry lump that had formed there.
He pictures a room filled with . . . → Read More: On Connecting to those worlds out there…