In a recreation centre basement, a middle-aged man feels that old anxiety – the anxiety of having to speak in front of a group of strangers. The address he must make now is especially poignant. He clears his throat and swallows the fat dry lump that had formed there.
He pictures a room filled with . . . → Read More: On Connecting to those worlds out there…
Once in a while, an artist will inspire me, and make me appreciate connections to other artists, from the current time, or from a relatively distant point in the past. . . . → Read More: On Creativity: Multiple Media and a Billion Artists
Bathroom wall graffiti gives a glimpse of the way people think: it is drect, anonymous and comes with little sense of responsibility, similar to how most people’s backyards tell us how the homeowner truly lives.
Bathroom wall scribbles hardly qualify as art or creative writing, but I can think of some that is more creative . . . → Read More: Enigmatic Memes: Bathroom Grafitti I Have Known
Check out these posts by Tom Williams, a literary agent and biographer of hard-boiled crime fiction master, Raymond Chandler.
Tom is reviewing the new Rockstar game, “LA Noire”:
LA Noire and Raymond Chandler (Part 1)
LA Noire and The Big Sleep
LA Noire and Raymond Chandler (Part 1) . . . → Read More: Game Noir? “LA Noire” and Raymond Chandler’s Los Angeles
It seems like the last few times I’ve read certain authors, their names have become prefixed with “Uncle” in my mind. Is that weird? Well, maybe. It’s human though.
I guess I want to identify with, or feel connected to good storytellers.
When I read Einstein’s book on Relativity, his voice was so distinctively heard . . . → Read More: On Reading: Raymond Chandler, a Biography
What is it that will drive a character to take an action? By this, I mean to ask “What, in the character’s mind/worldview is the rationale that will cause them to do one thing instead of another? For the Author, this includes considering the underlying goal of driving the story in a believable way, consistent . . . → Read More: On Writing: Motivating Characters (and their Author)
To observe and comment on your life and world, you need to have a certain amount of objectivity – detachment – from it. If you’re too-comfortably living inside your world, you really can’t see the outside shape of it. . . . → Read More: On Writing: Having Uncommon Thoughts in Common
I just finished reading “The Emily Carr Collection”, which includes four of her books: Klee Wyck, The Book of Small, The House of All Sorts, and Growing Pains. Emily Carr’s voice has become familiar and sympathetic to me. Reading her is like listening to an old friend. In my mind, she is not Emily Carr, internationally reknowned Canadian painter. She’s just Emily. . . . → Read More: On Writing: Emily Carr’s life stories are an inspiration…
My Dad was born in 1921, and as a young kid, knowing that he grew up during the Great Depression had always fascinated me. During the Great Depression, times were tough for Dad’s family, I’m sure, but I would learn in Social Studies class that other families had it much worse during that time, particularly farmers, and especially in the United States. That is the setting of Steinbeck’s major novel, “The Grapes of Wrath”. . . . → Read More: On Writing: John Steinbeck, the Grapes of Wrath, and my Dad’s Stories.
It’s amazing how pervasive the concept of “narrative” actually is. Now, wherever I look, I see a story being told, or something in front of my eyes that is trying to communicate with me. But Non-fiction has an inherent narrative of its own too… What About text in Interactive Environments? Does it contribute a narrative as well? Perhaps we’re back to Marshall McLuhan again… . . . → Read More: On Narrative: A Story runs through it…