Here’s a link to a new gallery on this site – a collection of personal drawings or collages that I’ve done since 1998.
If I draw, it can be immediate, messy and expressive, like the manic scribbles of an angry child.
That feels good.
However, collage from found commercial images is my favourite method.
I like the idea of co-opting some art director’s vision, shredding it to bits, and putting the elements into a completely new context that suits my needs. I’ve learned that using “found images” evokes sub-conscious themes; archetypal symbols, dreams, or metaphors that are sitting underneath my skin, waiting to be re-used on paper. Some of the themes they evoke are inherent in the image, so really, at some level, I’m tapping into the collective unconscious that I share with that original art director or photographer. They just didn’t give me permission to so that, but so what…
I have (so far) resisted using digital tech for my personal images, sticking with scissors, tape, glue, pen, pencil, and crayon. I have a large plastic storage box full of odd magazine pages, and piles of ripped out, cut up elements: hands, arms, faces, spines, textures, dark silhouettes, and various angels and monsters. Fashion magazines often provide a rich storehouse of raw material for my surrealist visual “riffs”.
As I cut out bits of images and move them around on a page, a foreground/background theme, setting, or figure may begin to emerge. Rarely have I ever sat down with a particular idea in mind beforehand – it comes from the process of exploration, play and chance.
Creating a collage feels most personal when working by hand, directly applying paper to paper, tacking bits in place with tape, and then gluing them down into final locations. It feels like a little stage.