What does it mean when the major online retailer of books and movies is getting into the content production business? It’s more industry convergence that proves that “content is king”, even when it’s crowdsourced…
I think that Amazon is doing a kind of Zeroes2Heroes approach to getting original content, but on a bigger, Amazon scale: . . . → Read More: Amazon Studios & Bootstrapping Original Content
Earlier this week, I had an opportunity to sit down with Canadian author Jay Clarke (aka “Michael Slade”).
He’s a former lawyer and the author of over a dozen crime novels, in a genre sometimes referred to as “Mountie Noir”. (It’s a great label – almost as good, IMHO, as “Tartan Noir”, which refers to . . . → Read More: Meeting Michael Slade and talking about eBooks
When I read this exchange between an author and a reviewer on a public community blog, I was stunned, and a little fascinated:
The author refuses to acknowledge the points the reviewer (a volunteer) made, and soon became combative and even verbally abusive! It was a fascinating example of an emotional meltdown by a . . . → Read More: On Reviews: How NOT to Respond (or “Do this, and sink your writing career”)
I enjoyed this article by Nilofar Ansher. It deals with the way new media and technology play a role in moving the control of opinion away from from critics and specialists and into the hands of consumers. In fact, consumers are ever-more becoming producers. I think this is the real shift: the audience is not only listening, they’re talking back. . . . → Read More: Repost: It’s Still About Story Telling: Writing in the ePublishing Age
I found this article to be a very useful, first-hand account of the challenges and advantages of self-publishing.
I think that opinion tends to be divided between those who feel that eBooks are opening new opportunities for readers and writers, and those who feel that the eReader medium is still too immature and under-refined compared . . . → Read More: What Independent Author Stacey Cochran learned from self-publishing
In the spirit of “try before you buy”, I invite you to read a preview of my novel, Owe Nothing, on Google Books.
Owe Nothing is my non-mainstream look at Vancouver: an adventure novel based upon real people and places that I knew when my family lived in dodgy Kingsway Motels for over a year. . . . → Read More: Preview Owe Nothing Free, on Google Books
I read this 2010 Survey of Book Buying Behaviour that gave some interesting stats on eReader adoption rates among book buyers. Compared to buyers of printed books, eBook purchasers are a small lot, but growing every day.
The survey said, among other things, that of the 9800 some-odd people surveyed…
eReader owners represent about 7% . . . → Read More: Is an eReader or Tablet in Your Future, or mine?
Are video book trailers a good idea? I actually debated this question while I pondered the progress of my online book marketing campaign. In retrospect, it seemed funny that I actually pondered this at all.
When I first envisioned the kinds of activities it would take to market a novel, I imagined things like press . . . → Read More: Are Video Book Trailers a Good Idea?
Check out the new book trailer video for Owe Nothing:
This captures a bit of the humour and intrigue of Owe Nothing. I think I definitely see more video trailers in my future…
(Apex Reviews, and GhostWriter Extraordinare)
What’s the right price, relative to the cover price of the printed edition, or relative to the expectations of the eReader market?
This is something I must resolve for myself: when I publish “Owe Nothing” in eBook format (which I am going to do fairly soon), what is the best price? I’ve seen eBooks on . . . → Read More: How do you set a price for an eBook edition?