Tag Archives: family

memoirs, stories

After almost thirty years…

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It’s been over 30 years since the death of my mother Angela, and about 27 years since I started writing about my true life in this site. In fact, my mother’s death was a major catalyst for this project.

I hold honesty as one of the highest values. I’ve done my best to tell my story honestly, perhaps because I wanted to tell my story myself, on my own terms.

But deep down, there’s has always been a little voice in me that remained afraid of how my role in my story might be interpreted by others. Could I be judged or looked down on?

Ironically, I decided in 1995 to start telling my life story in a blog that anybody could read for free. I guess I was proving to myself that I wasn’t scared of people knowing my story. It likely also meant that I wanted to tell it on my own, in my own way, and at my own pace.

In March 2026, just a few months from now, I will turn sixty. There’s still so much more I want to say and do here. At this rate, I may hit seventy  before I finish writing my true life stories.

My writing style is kind of like a painter: I tend to  “block in” a first version of a story, getting down the essential narrative and aspeccts to establish my timeline. But, because I can revisit my stories to revise them any time I want, I enjoy the subsequent visits to refine a tale, whether to add more detail, establish a deeper context of meaniing or reassert a theme, or just to correct typos or polish my writing. It’s like being able to practise a piece and polish a performance with the benefit of reflection and hindsight.

inspiration, memoirs, relationships, stories

Kindness: A Porttrait in Blue

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On Tuesday, July 15th at around 12:15, we said a final goodbye to our beloved cat Blue.

“Blue-Blue”, as we called him, had been with us for about 9 years. We adopted him and his sister back when they were about five.

In June of this year, my wife noticed that Blue’s breathing had become much deeper and laboured, as if he were taking sharper breaths more frequently. He was also weaker than we’d ever seen him, walking slowly and no longer jumping up onto our couch or chairs.

Our vet checked him out, and X-rays showed a lot of fluid in his chest cavity and around his heart, which are all signs of advanced heart disease where blood is leaking out of the arteries and settling into the vestibular areas around the heart and lungs. That accumulation of fluid creates pressure on the lungs, causing them to decrease in size. His heart was weaker on one side too, and more fluid had built-up in the sack that surrounded his heart, causing pressure there too. Basically, his heart was struggling and breathing had become difficult. In typical cat fashion, he made no noise to show his discomfort. A cat’s instinct is to hide weakness and illness from others in order to not be seen as easy prey for predators. They also tend to isolate themselves if they are feeling very unwell.

The Animal ER hospital put him on oxygen and removed over 200 milliliters from his chest, and more from the pleural lining around his heart. After a scary few days in hospital, he came back home and started taking diuretics and blood thinners to help manage his condition. After that first day or two at home with the pressure relieved and the sedation worn off, his spirits bounced back and his smile returned. He looked more like himself again. If we could keep him on his regime of meds (4 pills, every 8-12 hours), we could manage his illness and keep him living a happier life. Unfortunately, Blue discovered the bitter pills that we’d been hiding in his soft treats, and he got wise that we were grinding other meds into his wet food. He refused any food that smelled of his medicine. The prospect of forcing pills down his throat against his will felt like elder abuse to me. If he saw me coming after him with a pill popper, he’d just learn to run under the bed and avoid us. We didn’t want him to fear us or have any anxiety about us, so we made the hard choice to let him eat whatever he wanted and to avoid the meds altogether. It meant that we were in more of a palliative mode with him now, accepting that his life would soon come to an end, one way or another. At best, the fluid extraction and meds had bought him 2 more weeks, but he wouldn’t accept any more meds.

The fluid extractions were done by inserting a big syringe into his chest on each side. We didn’t want to submit Blue to any more invasive procedures, scary separation, or sedation. We just decided it was best for him to live as long as he could in his peaceful, familiar home.

Blue’s decline over the next week was steady and noticeable: he got slower and seemed uncomfortable, appearing somehow both restless and tired. He would lay in our bedroom closet for an hour, and then come out to the main area to lay on the carpet. We tried to feed, brush, and talk or sing to him whenever he was up and about. In spite of his regular mild activity, we worried that he might not last very much longer. His cardiologist confirmed our fear, telling us that he might only have days left. We knew what we needed to do next, and we scheduled an in-home euthanasia from a local vet. It was so difficult to have Blue take his last-ever breath while laying in my arms, but letting him nod-off peacefully was a dignity that our gentle old boy richly deserved. I felt like we had taken on the crying and the suffering so that he wouldn’t have to. Today, Blue’s remains are in a blue urn on our mantle, along with his paw prints. He sits up there next to his sister Peaches in her little pearl-coloured urn.

Every time I looked into Blue’s face, I saw the face of a smiling little friend. In fact, he didn’t seem so little to me at all. His importance in our lives made him a major figure in our home. He made a huge impact.

Blue’s affection was always sincere and unreserved, ever since our very first introduction in 2016. With Blue, the act of being itself seemed like a form of communication. Every pose or move he made told us something about him. Over the nine years he was with us, he taught us to understand him and he watched us closely to learn how we behaved too.

Blue was a good communicator. His eyes, whiskers, and ears told us everything that the word “meow” could not. He used his whole body to communicate, pointing his eyes, his face, or even his entire frame towards whatever thing that he wanted us to pay attention to. His tail was a living punctuation mark, a barometer of his moods, pointing up when he was happy and excited, down when he felt sad or scared, or twisted into any manner of loops or shepherding crooks when he felt intrigued and delighted. I’ve never really paid enough attention to human body language, but I have learned to read “cat” quite fluently.

If I had to sum up Blue’s personality in a word, “kind” is probably the best one I could use. He watched over his sister Peaches in the months when they were stuck in the animal shelter system. Peaches had a lot of fear and anxiety at first, and really relied on her brother to feel safe. They were all each other had. By the time we met them at the SPCA, they were five years old, and had been in the animal shelter system for months. Thankfully, they’d always been together.

Blue had originally been named Epo. He and Peaches had come to the Chilliwack shelter from an owner in Langley. Their owner was moving and couldn’t take them to the new home, so had put them up for adoption. They were about five years old when they entered the SPCA in Chilliwack, then the “Catfe”  cat cafe in downtown Vancouver, before going to the shelter in East Van where we met them. We all got along pretty well from the start, but they were a bit overweight and had noticeable fear and anxiety. They needed a quiet, loving home with lots of room and sunshine where they could feel secure and safe. After being cat-less for four years, we were more than ready to welcome a pair of bonded kitties into our life again.

I’m sure it was was difficult for Blue when his sister Peaches died a few years later. She’d developed a huge tumorous mass all around her heart and lungs, and it was basically inoperable. Poor little Peaches had no future ahead of her. We had to have her euthanized. Blue seemed to understand what had happened when we’d taken her to the Animal Hospital but had come back later empty-handed. We cried as we vainly tried to explain her passing to him. His pupils just went huge and he started shadow-boxing like mad on our glass patio door, “bump bump bump bump!” with his front paws.

The easiest consolation we found from losing Peaches was that we could still pour the excess Peaches portion of our love and care right back into her big brother. Over the next nine years, Blue bounced back, prospering emotionally, returning that extra love back to us ten times over.

https://ejohnlovebooks.com/true-life/tree-house/biographies/i-am-child-free-my-children-are-different/

inspiration, memoirs, psychology, relationships

Sixty years on, the scales of guilt and anger may have balanced

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As I approach sixty (in my sixtieth year now), I admit to feeling almost no remaining guilt, anger, or regret whenever I think about my parents. There are just a few whispers, but my attachments to them are long gone.

As a kid, living with them had been both exciting and scary. As an adult, I found that their deaths made me feel real closure and relief.

My Dad

When my dad died, I was 23. It was a painful, rending loss of a person whom I’d once admired, loved, feared, and finally pitied. A year or so after he died, I learned about the full extent of his abuses in my family and I grew to bitterly despise him, his hypocrisy, and his total lack of accountability. He’d raised me with words like respect and responsibility, but his nature contradicted that: He tended to want to sweep his failings under the carpet rather than face them and try to fix them. His narcissistic and authoritarian character ultimately destroyed any fatherly image he’d tried to own.

I took many lessons of his life into my heart. Whenever I need to bring out a strong, authoritative voice, it’s his voice that emerges. He could be sweet, caring, and gentle, but his good moments are forever in risk of being eclisped by his bad ones. That scale is inherently biased: violence, whether psychological/or physical has a denser molecular structure than peace and love. One nasty, violent act, if unredeemed, can overshadow fifty acts of kindness.

I really had to hate the man to truly let him go. When he died, I grieved, but I also felt calmer in the realization that my obligation to him was finished.

My Mum

When my mum died, I was 29.  I felt such a mix of regret and relief. She’d been remote, like a stranger to me, for as long as I could remember. She’d been an enigma, hard to know, and even harder to reach. Her depression and alcoholism were terrible barriers for her to hide behind, but that was her passive, withdrawn way. As a family, we did nothing to intervene. The elephant in the room was illustrated blatantly in a TV commercial I saw as a kid, and that simple phrase and image has stayed with me all my life. We never acknowledged our elephants. Nothing was to be spoken about it.

Over eighteen years of awkward visits in whatever hospital my Mum was living in, I could never really know if she recognized or saw me, even when I was standing right in front of her. She’d left her family to be mired in her own dead end existence, without physically going anywhere. It was no life for her.

I decided to try to preserve her best qualities within my own values and actions and to never punish her for her lack of mothering. Being a mother was never in her nature. She needed mothering and support herself. She was a victim of forces that I couldn’t understand.

Some break-ups just take a long time. Forty years on, I’m still learning from my parents’ examples.

psychology, relationships, stories

Fear of Becoming Her

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Today, my day went flat in more than a few places. Although I think I’d had a good night’s sleep, and our morning and breakfast were fairly bright and happy, my energy became low and lethargic, and  by noon, I felt both irritated and emotionally flat. I didn’t feel much enthusiasm for anything.

Grace and I did a Sunday drive out to Lafarge Lake, bypassing Riverview Hospital as we drove down Lougheed Highway.

I enjoyed the sunniness of the lake and the surrounding park, watching the ducks and the pretty scenery. It was a happy but only momentary distraction from my flat mood. Grace noticed my flatness and I’m sure it likely dragged her down too.

I apologized to her when we got home. She decided to book gym time right away and go get her system cranked up with some cardio. She invited me, but I just said “have a good time” and stayed out on our balcony rocking in our patio chaise and playing solitaire in the remains of the afternoon sun.

As I sat there rocking, I remembered that my cousin Jill had recently recounted a visit she and her family had to visit my family some time back in the 70s. Jill had recalled that throughout her family’s brief visit with us in our living room, my mother had just stayed in her armchair near the back of the room, rocking compulsively and twiddling a lock of hair around her index finger. Mum didn’t seem to react to anyone, and by that point in her depression was pretty much withdrawn into her own mind.

Even almost fifty years later, being reminded of my mother’s  dissociative behaviour and that it had been witnessed by my cousin and her parents, the memory shocked me all over again. Mum had been self-medicating with alcohol for a year by that point, I guess. She didn’t want to see anyone or do anything, and in her deep depression, the compulsive rocking motion and anti-social lack of response was probably her only way to create a defensive shield or a psychological distance.

I didn’t understand it at all as a kid. Indeed, her behaviour was never confronted or even acknowledged by any of us at the time; it was just part of my family herd of deeply dysfunctional elephants that followed us through every room.

I considered all that while I ironically sat compulsively rocking on our patio. I don’t want to have even an outward similarity to my Mother’s depressing behaviours, but there it was. In passing 59, I intend to stay aware of my moods and the ways I might counter-balance any isolationist tendencies. I’ll probably always need my alone time, but I won’t indulge it in a way that hurts the people I love.

I will apologize to Grace when she comes back up from the gym, and then maybe we can figure out what to do for dinner tonight.

history, stories

Pity the Monsters

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As a kid between the ages of 10 and 16, I was a fan of old-school monster movies and novels.

The Frankenstein monster appealed to me a lot. He never asked to be brought to life, and his innocence became stained as he came into increasing contact with mankind. In the original novel, he spoke like an angel, an idealist, probably expressing the ideals of his young creator, Mary Shelley. The 1931 Universal horror movie made him mostly mute and a victim of his outer ugliness, instead of driven by an inner sense of beauty or ideals. Regardless of the medium or the version portrayed, I saw the Frankenstein monster as a victim of circumstances beyond is control.

Count Dracula was a smooth manipulator and a sociopath, manipulating others to fulfill his own needs with no thought for the eternal hell in which he was trapping his victims. He was a blood junkie, ceaselessly killing for his next fix. Dracula was a true villian, sacrificing others for his own fulfillment. Bram Stoker’s novel didn’t engage me, but the character portrayed by Bela Lugosi was extremely compelling and psychologically menacing.

Doctor Jekyll was the symbol for mood disorders and split personalities. He was bipolar-ism and mood swings taken to extreme levels. The good doctor was the genteel, daytime persona that society expected and accepted. My Hyde was the violent, clawing, lying persona that would occasionally erupt after dark, to wreak havoc.

H.G. Well’s novel “The Invisible Man” was another study in hiding one’s illness from society (in this case, murderous impulses and a burgeoning insanity). His invisibility was somewhat portrayed as an affliction or a curse, exploited as an advantage by its user, and seen as a horror by others.

All these characters were probably symbols of Victorian-era fears and insecurities, brought out in strong relief. But they were modern fears too. I began to understand why those stories and movies appealed to me when I looked around me in my home and in the world.

None of us ever asks to be born, and if life is scary or chilling enough and relief seems hopeless, then we may wish that we never were born at all. The contradictions of values and the hypocracies around us may make us question how much others really value their own lives.

In my worry and self-pity growing up with my alcoholic and depressed parents, I witnessed their violence and sadness and sometimes wished that I could be somewhere else or even not alive at all. I’m certain that my mother felt that way more than a few times in her life.

In my father’s use of fear and his temper, and his absolutist approach to obedience, I saw narcissism and manipulation. Every villain considers themselves the hero in their own story, but what about the victims of their actions? Where is forgiveness and redemption without responsibility?

Jekyll and Hyde were to me, straight-up symbols for manic-depression, which we now call bipolar disorder. My mother had that, and we witnessed a manic episode now and then as we grew up, and especially long periods of debilitating depression. She self-medicated her way through all of it with lots of alcohol. For her, eventually, balance was abandoned.

I wanted to like and sympathize with the victims in the horror novels I read and the movies I watched, because I felt I was a victim of things beyond my control too. I wanted someone to have compassion for me, but for that to happen, I’d have to open up about things, and that was not allowed in my family. Growing up, the most important thing to do was to keep quiet and not draw attention to yourself. I didn’t tell my friends much about the things that happened in our home, but they’d hear about some of it buzzing around the neighbourhood. Our next-door neighbours always knew when someone in my house was yelling, or if the cops had to come to give my parents a warning, or if an ambulance arrived.

Horror in novels and old monster movies was a much safer way to escape.

art, communication, media, memoirs, stories, visual

Life, one frame at a time.

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Video has become such a prevalent medium. I can’t think of a time when it hasn’t been around for me to either consume or create. Much of my world seems to have been recorded or presented frame by frame.

The “frames per second” way of storing images started with photographic film, at much lower speeds and lower resolutions. In the 50s and 60s, my grandfather shot silent home movies on standard 8 colour film, which he’d mail-off to Kodak or drop off somewhere downtown to get processed. There was never any instant playback or instant gratification when you used film.

The usual frame rate for Standard 8 motion picture film was 16 frames per second, and there was no sound at all. So although the images were in colour, your 1950s home movies were silent movies with slightly jerky motion, kind of like a colourized Charlie Chaplin flick.

By the 60s, film students and auteurs could shoot on 16mm film with mono sound, at 24 fps. Since the 1940s, most big Hollywood movies were shot on 35mm film (or bigger) with stereo sound.

I don’t think my Dad ever touched film very much at all. He was an Electronics and RF technician by training. For him, everything was based on a broadcast signal and the electro-magnetic spectrum, not an electro-chemical process.

In 1954, my Dad worked at CHEK-TV in Victoria, BC (where he met my mother). Broadcast TV in western Canada was still a relatively new and evolving medium. The frame rate was 30 fps and resolution was measured in vertical lines, instead of film grain.

Early TV sets were relatively expensive appliances, often designed along the lines of the large radio sets that families would still have in their living rooms, in polished wooden enclosures that resembled nice furniture. By the 60s, tubes were getting replaced with transistors and all electronic devices were becoming smaller, cooler, and more power-efficient. Wood and Bakelite casings were replaced by plastic, and sets became smaller, lighter, and more affordable.

Even with the changes in form factor, the standard video resolution for broadcast TV in North America had stayed at 525 lines from the inception of the NTSC standard in the 1940s until January 2009, when High Definition became the new broadcast TV standard.

My Dad was a television engineer from the mid-50s through the late 60s, through the transition from black and white TV to full colour, and he’d left television for radio by the time that satellite transmissions began driving broader access to TV signals across the country.

Where my grandpa had been a hobbyist film photographer, my Dad had been an RF technician, steeped in what analog transmissions could achieve.  Between them, some kind of media was always around us. Growing up, it had never occurred to me how their interests may have impacted me. Creativity, entertainment, and personal storytelling had been all around me growing up. Nobody ever talked about it – it was just everywhere.

By the time I started shooting and editing my own small videos at art college, the new video tape format sounded familiar: 8mm. Sony had released some cool analog video cameras and miniature editing suites for the 8mm and Hi-8 video formats.

For my generation, the digitization of video happened along with the merging of broadcasting and computing technologies. I learned about theories of converging media, and about some of the principles of media theory from the writings of academics like Marshall McLuhan. Consumer cameras and microcomputers were becoming compatible, allowing the processing of analog video signals in digital systems, for things like image processing, colorization, titling, and special effects. Dad called devices that did analog to digital conversion “Codecs” (COder/DECoder). I knew the idea through devices called “digitizers” or “framestores”.

In the late 1980s, around the same time that I was editing my own experimental videos on Hi-8 video, I rediscovered my grandfather’s old Standard 8mm films. You can’t say that technologists aren’t sentimental.

In the last thirty years since Sony’s Hi-8 video went the way of the Dodo bird, film has completely given way to video for the vast majority of consumers. In the realm of large-scale entertainment, theatres project movies on high definition digital video. On a personal consumer level, the access and gratification challenges our parents and grandparents faced are things of the distant past. Young school kids can instantly shoot video at thousands of lines of resolution on their smartphones, just by pushing a button on a whim.

The thing that the current generation still has in common with all their image-making predecessors is the need and desire to communicate and share their stories. Regardless of the technical quality or the capabilities of the tools or the media, that desire is a big part of where art and passion reveals itself.

inspiration, memoirs, relationships, stories

The Good Father

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In my childhood, two men personified fatherhood for me: my father James Evan Love, and my grandfather Ernest Huntley Clarke.

I believe that people are neither inherently good nor evil, while absolutely being capable of the whole spectrum of good and bad behaviour. It’s on that spectrum that I try to place my father and grandfather.

As a kid, I’m sure I had a simplified view of morality, of good versus bad, and perhaps I even excessively idolized my grandfather. I didn’t know about moral relativism or any of the conflicts or ambiguities that adults actually faced. My early values were probably rendered in the black and white and primary colours of the sunday newspaper funnies that I loved to read. Adult lives and motivations remained mysterious, and it would be years before I’d start to understand the contradictions that a dispassionate universe would impose upon grown-ups. The universe didn’t seem to care about right or wrong; it was up to each person to know the difference.

One thing I learned early-on as a defining characteristic of a good adult was how they dealt with responsibility, obligation, and consequences. Good grown-ups took their responsibilities seriously and were reliable in fulfilling them. Good grown-ups owned their mistakes. Bad grown-ups, on the other hand, were unreliable and inconsistent. I had seen that some bad ones even tried to avoid consequences altogether. Some adults could not be trusted.

So, that’s the lens through which I look at my grandfather Ernest and my father James. Ernest had seemed to me always reliable and responsible. He’d always held a quiet dignity, kept a regular schedule in his activities, taken good care of his health, and managed his affairs with care.

When we lived with him for two years in his house in Victoria, I observed how my parents seemed secondary to him. It was more than the respect that a guest gives to their host. It was like a deference that my unemployed parents granted. Ernest became their de facto landlord while we lived there; they paid him rent. Looking back, I’ve wondered if this grated on my father’s strong sense of self determination. Dad had always been a proud and headstrong man, but it was proper that under Ernest’s roof, James was not the boss of the house.

Ernest Huntley Clarke came to Canada from England at around twelve years old, as part of a group of Salvation Army Home Children. As he grew into his teens, he worked his way west from Quebec through Ontario, to Portage La Prairie, Manitoba. At eighteen, he enlisted in the Northwest Mounted Police, which a few years later would become the RCMP. He was a Mountie for thirty years, and was honourably discharged in Esquimalt, BC in 1948. After that, he held a variety of occupations in his later years, and in his early seventies was the manager of the Yates Hotel in Victoria, still working full-time, when we came to live with him.

“Mister Clarke” (as the hotel’s elderly residents called him) was a well-liked and respected man. I never saw him drunk, and never once did he seem to really lose his temper or lose control of his emotions. He led by example, stood with quiet dignity, and I admired him like nobody else.

In contrast to Ernest’s humility, my Dad seemed to have an active ego, and a need to prove what he knew in front of others. I think Dad needed to be seen as the smartest guy in the room, and to be seen to be in the right. I never saw him assert his intellectual dominance around Ernest though: I suppose that my Dad genuinely respected his father-in-law.

The trouble with a person who needs to be in the right is that often they cannot admit when they’ve done wrong. That was my Dad all the way through: admitting fault or (heaven forbid) apologizing for a wrong were things I never ever saw him do. All he did when confronted with a past bad action was get defensive and angry. I never once saw him apologize for anything.

My Dad did lots of good things for me and my sister though: he raised us alone after our mother had almost died and gone to hospital, he stayed employed and made sure that we always had food, clothes, and a roof over our head. He brought us new bikes for Christmas. Occasionally, he took us out for McDonalds or KFC, or drove us out to the airport to watch the planes land at YVR.

Dad did try to impart values of self-reliance to me and my sister Kim, but even his attempts at constructive lessons were framed by his bitter memories of childhood betrayals or grisly experiences in the army or as a firefighter. To him, the world was challenging, unfair, and absolute: you had to know how to fight to make your way through your group’s “the pecking order”. Dad taught each of us how to throw a punch, but not how to discuss or compromise.

My Dad was not in control of his demons, his addictions, or his temper either. He could be volatile and frightening when drunk. He could be violent, and we learned early that it only takes one violent and unrepentant adult to break your trust and undermine your belief in heroes. That’s why my grandfather Ernest remains so important to me: he seemed to balance the scales in life and remain in the light, even when my Dad was at his darkest.

history, memoirs, relationships

A Ghost in you…

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There’s a song by The Psychadelic Furs that really got under my skin when I was 19 (it’s still in there).

“The Ghost in You” made me think of the important people who were not with me, most significantly, my sister Kim, and my Mother Angela.

Both of them were alive at the time, but separated from me for different reasons. My sister and I had been pals and playmates until we were about nine or ten. We were often separated as a consequence of family tragedies, misplaced loyalties (mine), or other people’s stupid, selfish decisions (our father’s). As the boy, I aligned with my father, mainly out of fear. As a girl, Kim would have been aligned with our Mother, if our Mother had been there and had been a factor in our lives.

Separation from my mother was permanent and irreversible. We had no relationship to speak of with her from about the ages of nine or ten, as she gave up on her family and escaped her life in situ, drinking herself into alcoholic abandon until her liver quit and brain damage and memory loss became her new abnormal.

She didn’t come back to us, mentally or physically. Once her memory got disrupted, her personality broke as well. She truly left us years before she ever left home and started living in various hospitals and became a ward of the province.

My sister Kim has survived, stayed alive, and made herself a life. She’s dear to me and I’m proud to be her brother. We talk regularly and we care about each other’s lives. I think that’s probably about as good as life can get: knowing someone who always wants to hear from you, and who always wants you to hear from them.

My Mum lived in the long-term care ward in Riverview from 1980 until 1995, where she died after struggling with pneumonia for a week. To me, her life was one of unrealized potential. Now all we can do is try to celebrate her beauty and recognize the traits, attributes, and abilities that she left us.

Memories are my constructs, my proxy rewards for the absence of real people. That’s where my ghosts live, preserved in my heart, freeze-dried in their best, most happiest personas. I greet them gratefully and warmly, like familiar old friends.

The Psychedelic Furs - The Ghost in You (Official Video)

 

memoirs

You can’t love them anymore

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When someone’s died, you can’t really love them anymore.

You can love your memories of them, but isn’t that just sentiment for your memories?

You can love how they used to make you feel, but isn’t that just the comfort of nostalgia?

You can admire their good values or deeds, but those values really belong to us all. Your lost beloved was doing a good job of reflecting them to you.

You can no longer love your lost person in real time, but you can always love the idea of them, the good values they held, and the inspiring examples they left behind.

history, relationships

Fatherhood

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My wife’s uncle passed away recently. He was a lovely man, surrounded by a loving family. His passing made me reflect on his reputation as a devoted father and member of his church. He left behind a family fresh in their grief, steadfast in their appreciation, and re-affirmed in their love.

My father died when I was in my twenties, leaving behind a fractured family, a dozen unresolved issues, a legacy of regrets, and no last will and testament. Over the past 35 years, I’ve become used to seeing his failures, arrogance, bombast, and violence in the foreground of my memories. It’s amazingly easy to stay inside the habit of bitterness, self-pity, and resentment. Those reactions were fairly earned at some real cost, and still valid to this day.

All the same, those particularly bitter truths obscure other less-familiar truths, like a dominant popular narrative that doesn’t tell the full story.

It’s common to focus on the negative and painful events to the exclusion of the positive ones. We learn from mistakes (our own or others) but not so much from our happiness and successes. So, I continue to mentally sift through my past, finding and polishing little moments worth celebrating that evoke pride in my father’s successes and joy in contemplating his warm moments.

I’m slowly separating the good man he could be from the toxic selfishness and anger he demonstrated. It’s really hard to separate a person from their actions, but I’ll keep trying to see both my parents as full-rounded people struggling with their demons.

Aside from my Dad, I also have to add that there have been a number of surrogate father figures in my life, who’ve provided support and positive examples of what fatherhood could look like at its best.

My maternal grandfather, Ernest Huntley Clarke (“Poppy”) was especially loved by me and my sister when we were young. He led by example every day, through his quiet, good-humoured, and dignified way of being.

I’ve prospered through the support of teachers who took the time to see and guide me, to help cultivate talents they thought were worth developing. The most impactful teachers I’ve known were when I was in art school, when I was slowly becoming mature enough to begin to appreciate them. Their attentions and challenges grew my confidence and self-worth every day.

My father-in-law, Honesto, provided a quiet kind of love and dedication, gradually accepting me as part of his family, and letting me help him when I could. His actions and sentiments to me were always uncomplicated and sincere.

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